Stereotype & Enclosed; metal constructions

Stereotype
Knitted copper wire, aluminium tube, car body part, sheet vinyl

Enclosed
Sheet aluminium, steel, sheet acrylic

Photos from the show of Judith J's work; see more on Pinterest

Signs; sheet metal & lightbulbs

Signs
Sheet steel, 25 watt lights

Photos from the show of Peter B's work; see more on Pinterest

Urban orchard; installation using light and shadow

Urban orchard
Sheet steel, acrylic, lighting gels, pavement slabs

Photos from the show of Charlotte R's work; see more on Pinterest

What Lies Beneath; Carving, flotsam & jetsam

What Lies Beneath
Wood, slate and ropes (washed up on the Sussex Coast)

Photos from the show of Tony A's work; see more on Pinterest

Back home

Eleana P's work made it to the exhibition with minutes to spare as she had to fly back to Peru at very short notice.  She named one of her pieces "back home"; it seemed apposite. Unfortunately this meant she didn't see the final install of her work, so by the powers of the internet, here you go Eleana!

Curating & installing a group sculpture exhibition

Two days before the private view and we arrived with the work we were to display (and some we won't; curation is a form of editing... less is more!).

The space seemed to have halved in size; what was acres of room to fill suddenly looked overcrowded. Pieces of work that previously looked massive found their space and looked at home. An immediate lesson to take back to CityLit is the importance of seeing your work outside the confines of the studio.

Framing temporary compositions of light, line, colour, reflection and shadow

Emerald M: "The three dimensional forms of Frames/Place create and frame temporary compositions of light, line, colour, reflection and shadow.

The mirrored panels throw back either reflections of the structure itself multiplied or at an angle, or panels of neighbouring colours, depending on how you are looking at them, or moving around the objects.