Sculpture is breaking
space; transforming the environment, through the inclusion of one or more
objects.
Tony A: "Breaking has many
connotations. I am interested in the
inevitable breakdown and decay of all materials through their reaction with the
environment. As I was brought up by the
sea, I am especially keen to use materials that have been carved by the sea. Not just driftwood, but also the salt
stained, rusted metal of broken sea defences, and the sand smoothed stones.
Breaking-down also influences the techniques I favour. Much of the work is generally cut or carved, rather than cast or modelled. I prefer to use discarded and left over materials. I like surface treatments that illustrate the process of breakdown, of use and wear, such as rust, burning and partial polishing. To me this is more representative of the real world than the shiny, antiseptic, mathematical shapes of many sculptures, which seek to avoid the effects of time and wear, rather than rejoice in it.
Breaking-down can also be
used as a description of society. It can
be about the inevitable change in politics, and the attempts to bring order to
the chaos of life. Politicians often do
this by simplifying issues through 'sound bites' and 'photo opportunities' presenting us with their constructed 'icons'
of importance. Some of my miniature
monuments are there to highlight these political clichés and the broken dreams of reality.
Such changes and disappointments
are not sad but inevitable, all things breakdown over time. The second law of thermodynamics broadly
states that everything moves from order to disorder (i.e. entropy increases),
unless energy is input. My sculpture
seeks to recognise this process as an inevitable element in all our lives by
inputing energy to show the shape of this change, and to help us rejoice in its
beauty."
“All things contain energy.
It is self-evident, and by changing their shape or position you can alter the
energy or strengthen it. You end up making power objects and that is ultimately
what sculpture is for me." - Steve Dilworth